THE AFROHEMIAN NOMAD™
Hippie vibes and nomadic tendencies. I dream in Africa, and blog about those dreams. To find out more about the True African Original movement check out http://www.trueafricanoriginal.com/


Pictures belong to respective owners unless otherwise stated and copyright infringement is not intended.
THE AFROHEMIAN NOMAD™
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orbitalencounters:

George Rodger, Africa in colours. Sudan 1949.www.magnumphotos.com
orbitalencounters:

George Rodger, Africa in colours. Sudan 1949.www.magnumphotos.com
orbitalencounters:

George Rodger, Africa in colours. Sudan 1949.www.magnumphotos.com
orbitalencounters:

George Rodger, Africa in colours. Sudan 1949.www.magnumphotos.com
orbitalencounters:

George Rodger, Africa in colours. Sudan 1949.www.magnumphotos.com
orbitalencounters:

George Rodger, Africa in colours. Sudan 1949.www.magnumphotos.com
orbitalencounters:

George Rodger, Africa in colours. Sudan 1949.www.magnumphotos.com
orbitalencounters:

George Rodger, Africa in colours. Sudan 1949.www.magnumphotos.com
orbitalencounters:

George Rodger, Africa in colours. Sudan 1949.www.magnumphotos.com
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adacreate:

Pablo Picasso (Spanish, 1881-1973), Black Figure, 1948. Lithograph on wove paper.
(via blastedheath)
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mariankihogo:

Cloth. Vintage Accra.
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medievalpoc:

Contemporary Art Week!
Tamara Natalie Madden
Madden lists among influences Gustav Klimt and images of Egyptian royalty. You can view many, many more images of her work here at her official website.
I find these breathtaking acrylic and mixed media paintings evocative of both the Fayum Mummy Portraits and early medieval icons featuring the Black Madonna.
medievalpoc:

Contemporary Art Week!
Tamara Natalie Madden
Madden lists among influences Gustav Klimt and images of Egyptian royalty. You can view many, many more images of her work here at her official website.
I find these breathtaking acrylic and mixed media paintings evocative of both the Fayum Mummy Portraits and early medieval icons featuring the Black Madonna.
medievalpoc:

Contemporary Art Week!
Tamara Natalie Madden
Madden lists among influences Gustav Klimt and images of Egyptian royalty. You can view many, many more images of her work here at her official website.
I find these breathtaking acrylic and mixed media paintings evocative of both the Fayum Mummy Portraits and early medieval icons featuring the Black Madonna.
medievalpoc:

Contemporary Art Week!
Tamara Natalie Madden
Madden lists among influences Gustav Klimt and images of Egyptian royalty. You can view many, many more images of her work here at her official website.
I find these breathtaking acrylic and mixed media paintings evocative of both the Fayum Mummy Portraits and early medieval icons featuring the Black Madonna.
medievalpoc:

Contemporary Art Week!
Tamara Natalie Madden
Madden lists among influences Gustav Klimt and images of Egyptian royalty. You can view many, many more images of her work here at her official website.
I find these breathtaking acrylic and mixed media paintings evocative of both the Fayum Mummy Portraits and early medieval icons featuring the Black Madonna.
medievalpoc:

Contemporary Art Week!
Tamara Natalie Madden
Madden lists among influences Gustav Klimt and images of Egyptian royalty. You can view many, many more images of her work here at her official website.
I find these breathtaking acrylic and mixed media paintings evocative of both the Fayum Mummy Portraits and early medieval icons featuring the Black Madonna.
medievalpoc:

Contemporary Art Week!
Tamara Natalie Madden
Madden lists among influences Gustav Klimt and images of Egyptian royalty. You can view many, many more images of her work here at her official website.
I find these breathtaking acrylic and mixed media paintings evocative of both the Fayum Mummy Portraits and early medieval icons featuring the Black Madonna.
medievalpoc:

Contemporary Art Week!
Tamara Natalie Madden
Madden lists among influences Gustav Klimt and images of Egyptian royalty. You can view many, many more images of her work here at her official website.
I find these breathtaking acrylic and mixed media paintings evocative of both the Fayum Mummy Portraits and early medieval icons featuring the Black Madonna.
medievalpoc:

Contemporary Art Week!
Tamara Natalie Madden
Madden lists among influences Gustav Klimt and images of Egyptian royalty. You can view many, many more images of her work here at her official website.
I find these breathtaking acrylic and mixed media paintings evocative of both the Fayum Mummy Portraits and early medieval icons featuring the Black Madonna.
medievalpoc:

Contemporary Art Week!
Tamara Natalie Madden
Madden lists among influences Gustav Klimt and images of Egyptian royalty. You can view many, many more images of her work here at her official website.
I find these breathtaking acrylic and mixed media paintings evocative of both the Fayum Mummy Portraits and early medieval icons featuring the Black Madonna.
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lakinogunbanwo:

Khalifa. 
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|Khat| According to some sources #khat was first grown in Ethiopia. However, amongst communities in the Horn of Africa and the Arabian Peninsula, khat-chewing has a long history as a social custom dating back thousands of years.
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"War does not determine who is right - only who is left."
Bertrand Russell (via thatlitsite)
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ripening-under-the-sun:

rom com.
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mpdrolet:

Andrew Dosunmu
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nappysupastar:

herabstract:

piecesofablackman:

Black is you.
Black is me.
Black is us.
Black is free.

My Boys.

My people!!!
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p-achao:

a—fri—ca:

Amina by Marta Bevacqua on Flickr
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allbeautifulblackgirls:

Ajak Deng
allbeautifulblackgirls:

Ajak Deng
allbeautifulblackgirls:

Ajak Deng
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ikirejones:

Ikiré Jones SS ‘14 Pocket Squares.




The Untold Renaissance. This collection pays homage to 18th century textiles and tapestries while exploring the absence of persons of color in Medieval and Renaissance-era European art.  Borrowing from the sampling method employed in hip hop culture, each reinvented piece tells an original narrative from the perspective of Africans who have been placed in an alien context.  Through this reverse lens to the past, the present circumstances of individuals who feel displaced and alienated may also be considered. - www.ikirejones.com
ikirejones:

Ikiré Jones SS ‘14 Pocket Squares.




The Untold Renaissance. This collection pays homage to 18th century textiles and tapestries while exploring the absence of persons of color in Medieval and Renaissance-era European art.  Borrowing from the sampling method employed in hip hop culture, each reinvented piece tells an original narrative from the perspective of Africans who have been placed in an alien context.  Through this reverse lens to the past, the present circumstances of individuals who feel displaced and alienated may also be considered. - www.ikirejones.com
ikirejones:

Ikiré Jones SS ‘14 Pocket Squares.




The Untold Renaissance. This collection pays homage to 18th century textiles and tapestries while exploring the absence of persons of color in Medieval and Renaissance-era European art.  Borrowing from the sampling method employed in hip hop culture, each reinvented piece tells an original narrative from the perspective of Africans who have been placed in an alien context.  Through this reverse lens to the past, the present circumstances of individuals who feel displaced and alienated may also be considered. - www.ikirejones.com
ikirejones:

Ikiré Jones SS ‘14 Pocket Squares.




The Untold Renaissance. This collection pays homage to 18th century textiles and tapestries while exploring the absence of persons of color in Medieval and Renaissance-era European art.  Borrowing from the sampling method employed in hip hop culture, each reinvented piece tells an original narrative from the perspective of Africans who have been placed in an alien context.  Through this reverse lens to the past, the present circumstances of individuals who feel displaced and alienated may also be considered. - www.ikirejones.com
ikirejones:

Ikiré Jones SS ‘14 Pocket Squares.




The Untold Renaissance. This collection pays homage to 18th century textiles and tapestries while exploring the absence of persons of color in Medieval and Renaissance-era European art.  Borrowing from the sampling method employed in hip hop culture, each reinvented piece tells an original narrative from the perspective of Africans who have been placed in an alien context.  Through this reverse lens to the past, the present circumstances of individuals who feel displaced and alienated may also be considered. - www.ikirejones.com
ikirejones:

Ikiré Jones SS ‘14 Pocket Squares.




The Untold Renaissance. This collection pays homage to 18th century textiles and tapestries while exploring the absence of persons of color in Medieval and Renaissance-era European art.  Borrowing from the sampling method employed in hip hop culture, each reinvented piece tells an original narrative from the perspective of Africans who have been placed in an alien context.  Through this reverse lens to the past, the present circumstances of individuals who feel displaced and alienated may also be considered. - www.ikirejones.com
ikirejones:

Ikiré Jones SS ‘14 Pocket Squares.




The Untold Renaissance. This collection pays homage to 18th century textiles and tapestries while exploring the absence of persons of color in Medieval and Renaissance-era European art.  Borrowing from the sampling method employed in hip hop culture, each reinvented piece tells an original narrative from the perspective of Africans who have been placed in an alien context.  Through this reverse lens to the past, the present circumstances of individuals who feel displaced and alienated may also be considered. - www.ikirejones.com
ikirejones:

Ikiré Jones SS ‘14 Pocket Squares.




The Untold Renaissance. This collection pays homage to 18th century textiles and tapestries while exploring the absence of persons of color in Medieval and Renaissance-era European art.  Borrowing from the sampling method employed in hip hop culture, each reinvented piece tells an original narrative from the perspective of Africans who have been placed in an alien context.  Through this reverse lens to the past, the present circumstances of individuals who feel displaced and alienated may also be considered. - www.ikirejones.com